Two of his films, Irréversible and Climax, were composed by Thomas Bangalter. Three of his films feature the character of a nameless butcher played by Philippe Nahon: Carne, I Stand Alone and, in a cameo, Irréversible. Noé often breaks the fourth wall by directly addressing the audience through the use of confronting, and sometimes strobing, typography that aims to "disrupt and disturb" the viewer, similar to the typographical methods practised by Jean-Luc Godard. His work has been strongly associated with a series of films defined as the cinéma du corps/cinema of the body, which according to Tim Palmer share an attenuated use of narrative, generally assaulting and often illegible cinematography, confrontational subject material, a treatment of sexual behavior as violent rather than mutually intimate, and a pervasive sense of social nihilism or despair. Noé graduated from Louis Lumière College in France. He lived in New York City for one year as a child, and his family emigrated to France in 1976 to escape the political situation in Argentina at the time. His father Luis Felipe Noé is of Spanish, Italian, and French-Basque descent while his mother, Nora Murphy is of Irish and Spanish descent.
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